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Max Buri
Stilleben mit Apfeln und Birne
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ID: 50149
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Max Buri
1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content. Related Paintings of Max Buri :. | Bauernapaar am Sonntagnachmittag | Brienzer Bauerin mit Korb | Apfelstilleben | Brienzer Bauer | Oberhaslerin | Related Artists: Carel Fabritus1622-1654
Dutch
Carel Fabritus Locations
Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius late works in which his use of cool silvery colours to define forms in space marks a radical departure from Rembrandt use of chiaroscuro. Homer WatsonCanadian Painter, 1855-1936
Canadian painter. The son of a mill-owner, he was born in a region of rural southern Ontario, which he painted throughout his life. In 1874 he moved to Toronto to work at the Notman Photographic Studios; he also spent many hours copying paintings in the Toronto Normal School in order to improve his technique. In 1876 he visited New York, where he was impressed with the carefully composed paintings of the Hudson River school and the rural scenes of George Inness, who encouraged Watson to pursue his career. The following year he returned to Doon to work up his New York sketches into finished paintings. A work of this early period, Landscape with River (1878; Toronto, A.G. Ont.), Anna Bacherini Piattoli1720-80
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All the Albert Bierstadt's Oil Paintings
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